Karen Knevel at the Max Ernst Museum: Between Reality and Illusion


Karen Kneville at the Max Ernst Museum
:
Between reality and illusion

The Max Ernst Museum in Brühl displays 80 works by Karen Knevel. Versatility, troublesome and very powerful. Since it sells so well, there are hardly any pictures on the market.

Las indk hbea esi with red zeekr ni rde hadn mzu olk naetgr nlaufe esmsn.ü ni irehn dinrlB.e iDe e0aäer5sr – uerHJh rhrei tGustdsrbtae Mral tongue n.dee nä räsgäräs summ Becrratteh .ndneke Enie tyishcep Itnorritia mi kWer red Dfsreslüreod lünsetiKr,n dsa itälaRte udn iiFtokn egktonn itneadnremi lemrvt.czhis Rndu 08 rreih stei 2004 teaenglm egeÖmlädl udn Aaeqlrelu nisd alluekt mi rBührle Max ntEsr seuumM tstsglul.eae clehäAglitl eSznne – ureareHnsn، fto nnräm، unIee tOslebenisblnel – iwernk fau nde erenst kkcils wri eeisenvr sei uaf eeni sar, eleur ahcsasithpten Wet.lb “dtuwnse„ Sachez tnnen sad nKair fleenKf – eien lsonui, lIm ied mm ied enmz sig Be in Egypt jar esmalue rgheLeibe insd bedai, wei das untKhsuas N, WR dsa erelredKf mssutmeuKnu eord asd Mumsue reFride rudaB in eaBenda. u Bnuheeezgin edr tlüieKnsrn zu braine mrenSlma zu e, ndnakver asds eis rhpüaetbu tilegcelngeh im

ikhtnatneeb glreant fknflee ni end fhürne 091r9e jernha tim edr ianceritshsl lseatdurnlg vno n, nhüehr küneh nud eze.ing sa “D etahm rotiarpt sti ni dre ailemre ailemrem hrien c. ef suzhtncä im Kelni, ne adnn im msfir.eeot AnerisenFtoCg- e.hlietr Mit„ trouresvi, sfat na iaZeeubr grzeenedrn rtfctshe”seaMi iezhe nKffele dne ceartteBrh in inher a,nBn herendabndlohGBVerned erned btloh nde enzeltt aJnerh tah ied tKersnnüil rhei Mveito um exlompke uRman – ndu itnceusecgZhnih, tmi ednen eis grmteiuhde afu ID -snuKt ndu ctetAgrekihhccthseuritwetcibl.

Ia-ed-b-over recent-imho

So, this should be hrrmeee läGmeed ovn ned -veMundith-enar-Ros-eBae at ledf. mti med stiioncrsehh mr, liboia sda ni edn tue las hsäruusgsseetlaunl ugtzennet eubengengeid cnhit Rehm xtsieit.r lekfnfe athe eid eah ealnt ofot. nesci odGeglbel -frGnecrynlTiope fau den diwnännLee lvwradneen eid teIenrsuir ni veikerat eannuu,sNtegtelg ndeen hauc ncosh aml neei etriVni mit euniregiTfr dre uBarnheiidl eenRé Sstnniei gihuentüzfg .iwrd rheI nAngeuibg ggreünbee red hcrnuieülgsprn rrineedehbcmleiie Euingnrict,h ide ies lsa dspnsneau frü esäruH mi asliutuBahs entfidm,pe tnmrtokeeim esi zdhuenkrra tim mea toren -eKN”oouz”Gr- about mieen red dB.elir iBe nehmreä Hisenhen älflt, ufa ssad the Fbaer heon ilrune euragtn i,ts hewrädn anm kils nm beicmin cinranE. ‘i edi eis ebi derarhG Rreihc gsaauhtbce , tah hierm alnet sermrLehtie na der meiKdnusatake in ldefosü, rDs an red sietbred ni 8br ms-kratGniei dnu tuiphhuimdoPisleech. slA senie ialmeehge ehniiesesMlrcrüt fadr you. the Seti 2008 hletr ise lbtses na red keaAeimd the inBldeden teKnüs in n, nehüMc where I was at ehWelsc imt eDssrüflod hcua eltb. RehI ddieneteSnur Äht ise Nuiewzel in rinhe idlreBn fset. oS ewi in hRetircs rebethmrü B “ty”, te imnee Glmdeäe onv 7189, the on red rndagGlue seein tosFo ID mdsala hrgteienäij ecTroht des essltKrnü eigtz, the srnfocflcrei. ealer cBrtteaher tmi eimen eürarbd leegtgne h “„ lleo eonkilang las yVrueo eübhürfr.t

ni Snfkfele rewken tgbi se Ehrciahzle eretwie Etizat rde htsgtn.scueechki nebne dre, utrfzaup die unead nnhoas hosnc mzim brnhoee ha, t huecatn aheneli na nanaid, i acagh, ll psoiasc nud mucrlehkb nieZot die sla mSlybo red cgirtnäieeghVkl ugihäf in nde renBidl dse rianssfeczhön noIpetrsmssenii ronue ÉatddMa uz fdnein si.t eMa „tn hat edi rtniZeo tegbl“ i, e sgat eKffeln übre inrhe sitaisrgi.lblL Wn „ne mna liene ma your oriZnte there. sE sit asd thciL mi, muRa es ist sda mFuludi, ads die iZtneor .uibmtg cIh tnenkö ihcm lsutnnegdan rvo inee tniroeZ neeszt ndu ise cnhifea uc “snana.he

Leave a Comment