Korean version of Netflix series ‘Money Heist’ – Media

Working with new ideas has never been easier in making movies and series. There were so many stories, and almost every one seems to have been told by now. After all, quality entertainment takes some of the pressure off producers and screenwriters to keep creating something completely new. Heist films, that is, films of a crook, in a variety of variants have proven themselves, for example, with the audience. But creative forces also reach their limits here. The so-called remake promises deliverance. You simply shoot a successful show again with a different cast. Netflix provides a particularly vivid example of this kind of creative recycling.

Money Heist: KoreaNow on the US streaming service schedule, is exactly what the title says: the Korean version of the hit Spanish burglary movie money House About a robbery by a uniformed gang with a mastermind in the background. money House 2017 was under the title La Casa de Papel (Paper Castle) Initially a flop on Spanish TV. Then Netflix acquired the rights to the broadcast and turned it into a global success with an Emmy, three additional seasons, and two PR documentaries. The final episode came out in December, but there is still commercial potential. So Netflix handed over the concept of the series to two South Korean entertainment companies in order to turn it into a new attraction for audiences in the Asian market. It works, at least at first glance at the numbers: several prominent sites on the various Netflix charts.

But in terms of content? Oh, okay.

It was important not to create a completely new atmosphere

The South Korean writing team follows the original Spanish version of Alex Pena: a sensitive professor who assembles a team of devious criminals to raid the national mint in order to print a fortune. There are conflicts and hostage plays in the team. Tokyo, Rio, Berlin, Nairobi, Denver, Oslo and Helsinki – the surnames of the thieves are the same, the characters are the same. When dispatching, the value was placed on not creating a completely new atmosphere. For example, as Tokyo, Jeon Jong-seo brings the same sinister femininity as her original counterpart Ursula Corbero. Park Hee-soo, known from the award-winning Squid-Game series, bestows the controversial leader on Berlin with a masterful splendor similar to Pedro Alonso before him.

Alex Pena’s original series with Ursula Corbero as “Tokyo” and Miguel Herran as “Rio”.

(Photo: Netflix)

At least, the Korean element in the new version is obvious. And not just because the heroes of the game eat with chopsticks and wear traditional Korean masks instead of Salvador Dali’s. But also because things are somewhat tense in “Korean Money Heist” compared to the Spanish version with its gritty dialogues and many love affairs; South Korea is still quite conservative when it comes to personal relationships. W: The series begins in 2025 on the unified Korean peninsula. North and South Korea established a joint economic zone, the border is open. Tokyo, a former K-pop soldier from Pyongyang, struggles violently through the cold capitalism of Seoul before a professor recruits her. The constellation of North and South results in exciting struggles between gangsters and hostages.

In the series, Korea is reunited – in fact, the chance of that is close to zero

Yet North Korean thinking remains strangely vulnerable. What makes it so difficult for the two Koreas to grow together? But perhaps a truly nuanced discussion of this question cannot be expected from an entertainment producer that is following as quickly as possible the successes of other K-Dramas such as squid game It must tie in. Especially since there is no chance of reunification in the real Korea as things seem. Because of Corona, the party’s dictatorship in the north is so isolated that no one can find out what the people there are thinking about the citizens on the other side of the heavily guarded border strip four kilometers deep.

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Netflix is ​​going through some slack at the moment, and Asia still presents opportunities for growth. Therefore, Netflix seeks salvation, among other things, in the routine work with a lot of gun clicks and effective changes in tension. as in Money Heist: Korea until. Content has never been so important to the creators here. The goal was to find as many viewers as possible who would not be bored with warm goods. You can see that in the series.

“Money Heist Korea” on Netflix.

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