“The worst person in the world” in the cinema: Learning to live – Culture

“Nothing will happen between us,” she says. The guy I just met at a party in someone else’s apartment said, “Of course not.” But there’s already a soft moan of longing in the soundtrack, and it’s getting louder. One of the most exciting cheating scenes ever unfolds in the movie.

The two face each other in the doorway, as in a picture frame. He says he does not tolerate infidelity. Nor are you, she says. “But where is the limit?” To try it out, she takes the beer bottle from his hand, sips from it and returns it to him. Obviously not the case, Boundaries. I bit his arm, he bit, and they both had to laugh. They go to pee in front of each other. They smell each other’s armpits. “You’ll never forget a smell like that.” At the end of the night, they broke up without telling each other their family names, or else they would only find each other on Facebook and end up in bed. As we walk together to say goodbye, the morning sun slowly replaces the night.

Less than eight minutes have passed since she changed her studies and her husband twice

“The Worst Man in the World” is the third and final part of Joachim Trier’s Oslo trilogy. The Norwegian director is rightly seen as one of the greatest European talents in his field, as a conjurer of dark, existential sentiments and alarms. The only loosely related Oslo series, which was thought of as a light romantic drama, ends almost as a romantic comedy in places. Looking back, the first two Oslo films, which are already excellent, seem like the maturation process of a great film about love and life, and nothing less – for a masterpiece, you can write about it here.

The first part, “Auf Beginning”, appeared in 2006 when Trier was 32 years old. At the heart of the plot was a young writer who delighted in love until psychosis put him in psychiatry, also due to obsessive romance. When he is released, he goes against medical advice and takes his lover to Paris, where they fall in love. He books the same room in the same hotel, they go to the same cafes in the same order, and she has to stand in front of him, increasingly dismayed and reluctant, to take the same souvenirs again. On her first visit, he counted down from ten o’clock at a lookout point in the park for fun, and if he hit zero, he said she’d fall in love with him. At the time, she thought he was cute. Now they stand there again, counting down again. Heartbreaking moment.

The second part, “Oslo, August 31”, tells the story of a drug-addicted young man from a privileged background who is released from rehab but has nothing in life and doesn’t want anything to fill it with for the rest of his life. regained. So it relapses.

It is the promise of art par excellence: to become excluded. to cheat in

Until now, all the missing persons in the Trier trilogy have been men, but now there appears a young woman with an unclear life plan, Julie, whom the film accompanies in twelve chapters during her twenties. Renate Reinsve plays it with a life-affirming freshness that covers previously bleak Oslo like a dreamy veil, making it bigger and more complex. In 2021, Renzvi won Best Actress at the Cannes Film Festival. Like her male ancestors, Julie is also a student, but her mood is less depressed than the former junkie and more of a zigzag indicative sentence with many commas and insertion, no period, breathless, silently veering off course. Less than eight minutes into the film before she changed her studies and her husband twice. She moves in with Axel, an underground comics artist more than ten years her senior.

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You will not find peace there. Axel’s friends have stylish, modern houses and children in the garden, walking there with a glass of white wine in her hand. One of her conquests brings Jolie to a party where she meets the man with whom nothing ever happened in such an elegant and amusing way. Later, you will turn on the light switch in the kitchen, just as Axl pours coffee into a cup in the morning, time will freeze, and the liquid that runs out from the pot will remain in the air, and all the cars and people in front of the apartment too, this girl who meets a new man will become, as I found out since Then, he works in a coffee shop. That’s what this movie is about, it’s the promise of art par excellence: to be able to step out of your own life. they become strangers. to cheat on.

Breathing in exhilaration, Jolie passes the streets pretty much halfway through the film. In the end, one doubts, no balloons will ever rise above the finish line again, but at least the sun will not be able to chase this moment away, just as it chased after the magic of the night the morning after the party, as if it were only a dream. The heart contracts, and Jolie’s lungs work. True and deep happiness is painful because it touches weak areas. When presented artistically, it is only effective on the basis of tragedy. The first two films of the Oslo Trilogy masterfully recreated this foundation. In “The Worst Person in the World” it fades into the background without becoming a problem, at least not all the time. Maybe called growth.

Ferdinand First Minsky, Norway/Sweden/Denmark 2012 – Director: Joachim Trier. Writers: Eskil Vogt, Joachim Trier. Camera: Kapser Tuxen. With: Rinat Rensev, Anders Danielsen. Films Hut, 121 minutes. Theatrical release: June 2, 2022.

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