News from the classic market: Bach, Messian, Haim and Monza – Culture

The early musical movement, which after 1945 led to the performance of Beethoven, Mozart, Bach and the early composers in a very different and often usual way, was likened to all other musical avant-garde by men: Nicholas Harnoncourt, John Elliot Gardiner, Jordi Savall, Philip Herwig. .. Female leaders have had at least as much difficulty as in mainstream classical music. One of the first and still the most successful among the early music leaders is Emmanuel Haim, who founded her own group, Le concert d’Astrée, at the turn of the millennium. Last year it celebrated its twentieth anniversary. She has now released two anniversaries, in Berlin and Paris, on a live double album: ’20 years. Une nouvelle fête Baroque’ (Eratu). The highlight of this Baroque festival follows a highlight here, there are quotes from Rameau, Campra, Purcell, Handel and Vivaldi, star singers from Rolando Villazón to Nathalie Dessay and Sandrine Piau are part of the party, and even Simon Rattle appears as a guest conductor. Chaim’s demeanor is joy, liveliness, lightness, dance, and always a dash of gloom: what an infatuation!

Benjamin Alard He plays all kinds of keyboard instruments, such as the organ, harpsichord, and clavicord, as it once was in the Baroque era. Allard, born in 1985, also has a big dream: he wants All works by Johann Sebastian Bach for keyboard instruments Sign up and also find a record company in Harmonia Mundi that will play alongside this crazy project. Meanwhile, Alard reached Bach’s sixth album. He plays the original clavichord built in 1763, a small instrument for home use, and the training book for Bach’s son Wilhelm Friedmann. Following on from the first volume of Well-Tempered Clavier’s most famous, this series of 24 pairs of pieces across all keys, on an original harpsichord from 1740, this instrument is also a witch. In the Plus book, eleven pieces from the later collection have been preserved in their early form, which explains the composition. Allard plays urgently and confidently, bright and clear.

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Luca Guglielmi He is just a curious and imaginative keyboardist like Benjamin Allard. first part of Well Fortified Clavier Bach I have long recorded on harpsichord. Now, with Avi, he leaves a second to follow, composed more than 20 years later, albeit on a version of the Fortipiano piano by famous piano maker Gottfried Silbermann. This is an early piano that was invented in Italy around 1700, but it didn’t last long because it was so quiet. Fortepiano also lacks the pathetic power of a modern piano in a fun way. Bach knew and appreciated Silbermann and his rather expensive tools. More decisive than these historical aspects, however, is that the music of the late Bach sounds more clear, resolute, and modern on the piano than on the ukulele, at least in the case of Guglielmi.

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He was like Bach too Olivier Messian Obsessed with organ, piano and church music. But Messian was also a man of color and nature, and both shaped his music, which was always warm and full of birds. This makes him one of the most famous composers of the twentieth century. The pianist commemorates the 30th anniversary of Messianne’s death Alfonso Gomez Now for this composer. The Vingt regards sur l’Enfant-Jésus It is a two-hour course of 20 meditations that depicted Jesus as a child, full of promise, joy, and hope. (Cairo)

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Stringed quartet: The figure is associated with Vienna around 1760. The discovery of the violinist and conductor was even more surprising. Fabio Biondi Now with six quartets of Carlo Monza made, a composer who became famous in Milan at the time and since then has been constantly forgotten. Biondi’s quatrains are short, cheerful pieces with titles such as “Opera in musica” (that’s also the name of the naïve CD released), “Jagd”, “Vulkans Schiede” or “Nachtliches Freude”. This album is exhilarating fun every moment. The enchanting music of Monza is not only a well-deserved respite from the heights of Bach and Messian, but can also compete with them.

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